99 Royalty-Free Audio Tracks for "Bass Drop"

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3 second long sub bass bomb made in audacity.
Author: Uzerx
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4 second long sub bass bomb made in audacity.
Author: Uzerx
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5 second long sub bass bomb made in audacity.
Author: Uzerx
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05:19
Made with isnonu by xoxos.
Author: Younoise
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A dubstep reese bass part of my reese bass sample pack.
Author: Techgeekmusic
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22:46
Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte
Author: scrymgeour34
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00:28
A heavily automated and processed bass sound. Lots of phasing and movement.
Author: Bean Jamin
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Bass growl sound fx.
Author: Screamstudio
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00:27
Double bass jazz loop improvistation.
Author: Elzozo
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00:07
I just made a quick little "breaking bad" inspired transition. Nothing fancy.
Author: Thenikonproductions
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00:08
Hip hop club beat.
Author: Sakebeats
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00:08
Ein beat zusammengestellt mit sounds aus freesound :).
Author: Chris
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00:02
Or don't.
Author: Duisterwho
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02:21
Recorded in toulouse with zoom h2n, in the central underground parking of capitol. Drops are musically, engine whistling, a nearby car and another at the floor above.
Author: Heifara
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00:08
Bass and base loopedited: yellofier, adobe + fxs + mastered.
Author: Szegvari
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00:06
A growl bass i made in ni massive;. Free for use for any purpose. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.
Author: Wonki B
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Dubstep growl sound fx.
Author: Screamstudio
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00:05
Made with ni massive.
Author: Evoldeew
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00:01
Street pop tunez comes back with a funeral home type bass for your subwoofer. Works in all daws.
Author: Streetpoptunez
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00:30
Original description: very low key, down-tuned bass sound with long sustain and release/tail. Sounds good in higher pitches too. Came from two highly tweaked tom and click sounds in flstudio's edison.
Author: Waveplaysfx
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Made with sophia.
Author: Younoise
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Spt gives you a banjo that hits your subwoofer hard. Works in all daws.
Author: Streetpoptunez
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00:17
This sound was created with layering and frequency processing. Bpm 172key f# maj.
Author: Johnnie Holiday
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Original description: a deep noise with some clickyness to it, came from an edison recording of a kick.
Author: Waveplaysfx
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00:28
This sound was created with layering and frequency processing. Bpm 140key a minor.
Author: Johnnie Holiday
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00:10
A new beat. Free to use.
Author: Fubzey
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06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.
Author: Newagesoup
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06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.
Author: Newagesoup
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00:15
I made this sound with my voice and a little pitch bending. Have fun!.
Author: Opriema
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00:04
An edited version of fiditg's freesound 198046, with a slow down added to its tail.
Author: Newagesoup
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06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.
Author: Newagesoup
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00:55
An experimental bass sound that emulates a robotic sea monster. My portfolio - https://audiojungle. Net/user/malongbrothers/portfolio. Facebook - https://www. Facebook. Com/malongmusic/youtube - https://www. Youtube. Com/channel/ucturrmbvhmn2pglrf23pnzqsoundcloud - https://soundcloud. Com/michaelmalong/tracks. Contact: micmalong@gmail. Com.
Author: Michaelmalong
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02:45
This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).
Author: Niedec
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I made this impact fx a few days ago using sylenth1 in fl studio and thought it was good enough to upload somewhere. Hope ya enjoy it!.
Author: Lesystemperv
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01:27
A recording i made of rainfall, that i then edited the bassof, to make it have a fuller sound. -----------------------------------------------------------------------this sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.
Author: Colorscrimsontears
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A sub ripped from a random file that was loaded into audacity.
Author: Waveplaysfx
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I made this loop in logic 9 testing a new virtual guitar instrument. Bpm: 95. Key: e minor.
Author: Yellowtree
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Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
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108bpm trance loop for your creative productions, use as you wish. Sounds better downloaded. Remember to rate and follow for more ^_^.
Author: Snapper
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02:17
This is a song i made years ago when i was first learning fl studio 12. Feel free to use it when ever. And send me your work if you do! i'd love to hear it. Bpm is 120. No clue what key it is.
Author: Simeon
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02:35
Rain on a roof through an open window. Drops foreground are striking zinc very next to the mics. Other raindrops on the slate roof. Water falling from the gutter on a concrete floor further. Very nice thunderclap at 1'42"a low cut filter should be used to avoid some bass frequency in the wind. France, 2020listen also to "continuous thunderstorm" https://freesound. Org/people/bruno. Auzet/sounds/531041/recorded a few minutes before. Recorded with 2 clipy em172 in an ab setrecorded on sounddevice mixpre6stereo, 48khz, 24 bits.
Author: Bruno
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00:51
There is a little bit of wind sound made by the mass of water falling into the shower tub. At the end of the track you can hear me putting away the shower curtain. Recorded with olympus ls-3 two stereo microphones, one bass (middle) microphone. 96hz, 24bit.
Author: Zybil
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00:57
Wrote/recorded short daft punk style tune at 100 bpm in ableton live 9:muugy for synth sound. Analogue bass + bit growl for bass sound. Kontakt 5 for the string sound. Soft saturated for the percussive section. Additional notes:-12. 9 lufs integrated-2. 0 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.
Author: Bainmack
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00:16
Are there a million of these sounds in film trailers? are there a million of these sounds on freesound? not sure. Started with 100k tone - pitched it down over time - it was too low, so then i pitched the whole file up a bit. Insert to make any slow mo sweeping matrix style scene look even more awesome. . . Or not.
Author: Freqman
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Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.
Author: Yellowtree
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Wrote/recorded a free dance tune at 100bpm using ableton live 9. Basic 4 chord song structure (a, e, g, d). Synth and synth sounds are a combination of ableton stock plugins (bass groove, might as well synth brass, celestial pad) and free online synth vsts (dexed, synth1 vst). Percussion section is the ableton stock drum rack with the stock samples. Mixing and mastering used ableton stock plugins. Hope this helps and is useful for your next project. Cheers,bainmack. Youtube. Com/bainmack.
Author: Bainmack
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A water faucet set to drip in a chaotic manner, without much regularity. I put a plastic container lid under that for sound to be more pronounced, but that added crunchiness and now it doesn’t resemble dripping as much. Recorded with redmi note 5 phone, denoised in audacity plus filtered bass out a bit. P. S. I need to say that i foolishly recorded it into an im app and the recording ended up as. Ogg, so it’s not as good as could be. Still i hope there is enough spectral richness left. I should have used a dedicated recording app which writes. Flac files, i just hadn’t thought. Maybe several days later i’ll make a couple of other takes! (update: now i did. ). ———————. I’m still here! i like you guys, i’m just lazy to make sounds and i don’t want to record as much as the quality is not as good when using just phones, moreover that already many many people record various things professionally anyway and share here.
Author: Arseniiv
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Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.
Author: Laffik
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07:20
Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Author: Kbclx
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